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Stylistic hybridity in palatial architecture during the reign of King Rama V: a postcolonial reinterpretation on modern Siam
(2024-01-01)
Noobanjong, Koompong
Informed by postcolonial theories, this research presented critical investigations on Chakri Maha Prasat Throne Hall, the ordination hall at Niwet Thammaprawat Temple, and Munthatu Rattanaroj Villa. Aside from examining the three hybrid Siamese-European buildings beyond stylistic analyses and antiquarian mode of historiography, the upcoming discussions unveiled that the case studies–which were commissioned at the height of Western colonial expansions in Southeast Asia–testified for the Siamese’s: (1) reinterpretations, reappropriations, and recreations of European cultural artifacts; (2) active and authoritative roles in generating, combining, and projecting their versions of contested meanings upon the immediate world and beyond; (3) assertions of a newly acquired self-image by conspicuous consumptions of Western material culture; and (4) long established tradition of mediating power through built forms. In addition, by utilizing the politics of representations as a mode of problematization, these eclectic palatial structures were perceived as representational tools to create a civilized identity and discursive devices for power mediation, as opposed to unskilled or kitschy copies of Western precedents. In conclusion, the inquiries essentially argued that although Siam was among few places in Asia that did not succumb to a direct colonial rule by any Western power, the kingdom was a de facto crypto-colony.
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Samoson Ratsaranrom (Khana Ratsadon’s Office): A Neglected Urban Heritage of the People’s Party
(2023-07-13)
Noobanjong, Koompong
Current architectural scholarship in Thailand has witnessed a renewal of interest in built forms commissioned by the People’s Party, a group of civil servants and military officers known in Thai as Khana Ratsadon that overthrew the absolute monarchy in 1932. Despite an increasing number of publications on the arts and architecture of the People’s Party, its office in Bangkok remains largely absent from those investigations and public recognition. As such, this research presents a multidimensional inquiry to better understand the role of Samoson Ratsaranrom in Thai society. Once functioning as Khana Ratsadon’s office, the building was examined in terms of: (1) means for power mediation; (2) reflection of the ideological views of the People’s Party; and (3) expression of the modern Thai identity. Via discourse and iconographical analyses, the study revealed that apart from serving as a material manifestation of the revolutionary spirit and ideology, this modest structure acted as a social space for interactions between people through festivities, namely the annual constitutional fairs. Standing unassumingly in Saranrom Royal Garden–which has become a public park nowadays–the building was an integral part of the cultural practices during the early days of the post-absolutist regime. Owing to the said historical importance, a proposition could be put forward that not only should Khana Ratsadon’s office be incorporated into DOCOMOMO Thailand’s inventory, but also be registered as a national treasure by the Fine Arts Department. In addition, critical examination of this Modernist structure begged a question as to whether the academic obscurity of the building was indicative of attempts to erase the cultural legacies the People’s Party by the Thai state, which had been subtly implemented for decades. Regardless of the answer, recent destruction and disappearance of the cultural heritages left behind by the People’s Party make the preservation of Samoson Ratsaranrom even more urgent.
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Baan Fai Rim Ping: a haptic approach to the phenomenon of genius loci by a riverside residence in Thailand
(2023-01-01)
Noobanjong, Koompong
;
Louhapensang, Chaturong
Standing on the west bank of the Ping river in northern Thailand, Baan Fai Rim Ping displayed a fluid profile of multiple perspective points. Such an eccentric appearance, however, belied the senses of place and historical continuity, along with the feeling of belonging provided by this waterfront residence. Apart from occupying a prime estate near a UNESCO World Heritage Site in Kamphaeng Phet province, apposite utilisations of materials, coupled with sensational spatial organisation and formal composition, were the major contributing factors to the said characteristics. Informed by a conceptual framework of genius loci, this research presented multidimensional inquiries on the haptic design of Baan Fai Rim Ping for generating a phenomenon of place through the sensory receptions of its dwellers. Containing three thematic foci, the studies firstly examined the contextual background leading to the creation of the building. Second, the investigations concentrated on how the design parameters and elements of the house were developed and implemented. Third, the aforementioned modes of problematisation lent a basis to argue that the quality of placeness was not confined exclusively to traditional or vernacular structures, but could be found in the unorthodox aesthetics of Baan Fai Rim Ping as well.
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Expressions of Local Identity via Architectural Practice in UNESCO World Heritage Sites
(2022-01-01)
Kangkhao, Surasak
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Louhapensang, Chaturong
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Noobanjong, Koompong
Via its investigations on three types of buildings, consisting of residential, religious, and educational structures, this research: (1) provides guidelines for the creation of local identity via architecture erected in the areas adjacent to UNESCO World Heritage sites; and (2) examines the mechanism in creating such an identity. As exhibited by the upcoming discussions, the economic, social, cultural and technological conditions are central not only for practical requirements and structural integrity of those buildings, but also for expressions of the local identity. In addition to maintaining a delicate balance between aesthetics, architectural realization, and local wisdom, the creations of the case studies engage all involving parties in the following five domains as well, which are: (1) generation of public consciousness; (2) design participation; (3) establishment of Heritage Academic Research Community; (4) recognitions for the values of the Thai identity; and (5), creative integration of stakeholders with community networks.
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Cultivations of cross-cultural experiences via a collaborative and cooperative approach for sustainable learning from communities in Si Satchanalai, Thailand
(2021-01-01)
Louhapensang, Chaturong
;
Noobanjong, Koompong
In 2018, a group of faculty members and students from King Mongkut’s Institute of Technology, Ladkrabang (KMITL), and Royal College of Art (RCA) organized workshops and field trips to Sukhothai province in Thailand to explore the livelihood along with cultural heritages, social practices, and sustainable learning by the inhabitants of communities in Si Satchanalai district. Conceptually informed by Spencer Kagan’s notion of Cooperative and Collaborative (C&C) sustainable learning approach employed by the KMITL-RCA collaborations, this research examined the 2018 workshops and excursions for their roles in 1) advancing tacit knowledge on the artistic and architectural heritages of Si Satchanalai; and 2) bridging a horizon of understanding between Thai and foreign students. In order to assess the pedagogical efficacy of the C&C approach, the upcoming evaluative discussions encompassed a series of dependent sample t-tests, utilizing several questionnaires, surveys, and personal conversations for collecting data to construct a content model in terms of comparative studies between the KMITL and RCA participants. Not only did the statistical inquiries: 1) validate the methodological applicability of the C&C edifying model but also 2) demonstrate its merits in promoting cross-cultural learning in architectural and design discipline.
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Mon buddhist architecture in pakkret district, nonthaburi province, Thailand during Thonburi and Rattanakosin periods (1767-1932)
(2019-01-01)
Praebaisri, Jirada
;
Noobanjong, Koompong
This research examines the characteristics of Mon Buddhist architecture during Thonburi and Rattanakosin periods (1767-1932) in Pakkret district. In conjunction with the oral histories acquired from the local residents, the study incorporates inquiries on historical narratives and documents, together with photographic and illustrative materials obtained from physical surveys of thirty religious structures for data collection. The textual investigations indicate that Mon people migrated to the Siamese kingdom of Ayutthaya in large number during the 18<sup>th</sup> century, and established their settlements in and around Pakkret area. Located northwest of the present day Bangkok in Nonthaburi province, Pakkret developed into an important community of the Mon diasporas, possessing a well-organized local administration that contributed to its economic prosperity. Although the Mons was assimilated into the Siamese political structure, they were able to preserve most of their traditions and customs. At the same time, the productions of their cultural artifacts encompassed many Thai elements as well, as evident from Mon Buddhist temples and monasteries in Pakkret. The stylistic analyses of these structures further reveal the following findings. First, their designs were determined by four groups of patrons: Mon laypersons, elite Mons, Thai laypersons, and elite Thais. Second, their spatial organizations illustrated various degrees of cultural contacts and exchanges between the Mons and Thais. Third, their aesthetic expressions could be categorized into three types: traditional Mon, traditional Thai, and royal eclecticism.
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Interpretation of a local museum in Thailand
(2018-07-21)
Sirivanichkul, Jirawan
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Noobanjong, Koompong
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Saengratwatchara, Supornchai
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Damrongsakul, Weeranan
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Louhapensang, Chaturong
This paper considers the interpretation of a local museum in Thailand using the local museum of Thai Bueng Khok Salung as a case study. Data collection was carried out from 9 September 2015 to 22 January 2018. The collected data were derived from related documents, previous studies, in-depth interviews and observations. This present research aimed to investigate the interpretation of the case study through the management of "persons, places, and things". The findings revealed that there are two major types of interpretation at the museum: the interpretation for the people in the community (that is, indigenous curators, local visitors, and local people) and the interpretation for the people outside the community (that is, general visitors and specific-purpose visitors). The results of the study indicate an appropriate and effective interpretation system for the specific community context which encourages people-both locals and foreigners-to be aware of the value of the community. Consequently, as a result of their awareness, people would increasingly cherish their community and work in collaboration with other people for the sustainable development of the community.
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Ethnographic Applications of Collaborative and Cooperative Pedagogy for Cross-Cultural Learning: A Case Study from Si Satchanalai, Thailand
(2018-06-30)
Noobanjong, Koompong
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Saengratwatchara, Supornchai
In early 2017, a combined group of faculty members and students from King Mongkut's Institute of Technology Ladkrabang (KMITL), Thailand, and Ball State University (BSU), U.S.A., organized a three-week fieldwork in many communities around Si Satchanalai Historical Park. Relying on their ethnographic experiences to actively explore the livelihood in conjunction with cultural heritages and social practices of the local people, such undertakings provided a contextual basis for this research. Conceptually informed by the edifying model of Cooperative and Collaborative (C&C) pedagogy used during the 2017 KMITL-BSU collaborative efforts, the inquiries examined the workshops and field trips in Si Satchanalai district for their roles in: 1) advancing tacit knowledge of the participants on the assigned subject matters; and 2) expanding a horizon of understanding between the Thai and foreign partakers. Altogether, the upcoming discussions demonstrated the methodological applicability of the C&C approach in architectural and design education, coupled with its scholarly merits in cross-cultural learning.
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Asia
(2017-01-01)
Rudolff, Britta
;
Battis, Eva
;
Mowla, Qazi Azizul
;
Miccoli, Lorenzo
;
DiStefano, Lynne D.
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Rajadamnoen Avenue: Thailand's transformative path towards modern polity
(2012-12-01)
Noobanjong, Koompong

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